Robert Ryman

I really like Robert Ryman's paintings. There is a deceptively simple graphic quality to his work - he was creating incredibly contemporary looking work in the 1950s -60s; and his use of white is inspired.

Robert Ryman was born in 1930 in Nashville. In 1948 he enrolled at Tennessee Polytechnic Institute but transferred the next year to George Peabody College for Teachers in Nashville, where he studied music. In 1950 Ryman enlisted in the United States army reserve corps and was assigned to an army reserve band during the Korean War. In 1952 he moved to New York and studied with jazz pianist Lennie Tristano. Taking on odd jobs to support himself, Ryman took a position as a guard at the Museum of Modern Art, New York, in June 1953. During that year, the artist made his first paintings.
In 1955 Ryman began what he considers his earliest professional work, a largely monochrome painting known as Orange Painting.

1955-59 Untitled (Orange Painting)

His work was first exhibited in a staff show at the Museum of Modern Art, New York, in 1958, and later that year he was included in a group show at the Brata Gallery, New York. In the late 1950s Ryman became friends with artists Dan Flavin and Michael Venezia, both of whom were also working at the Museum of Modern Art.

In 1961 he also began to paint on a full-time basis. During the early 1960s, Ryman spent a great deal of time with other artists whose studios were on the Bowery, including Tom Doyle, Eva Hesse, Sol LeWitt, and Sylvia and Robert Mangold. At this time, Ryman began executing his first paintings on metal (vinyl polymer on aluminium), a support he would use many times again. In 1966 Ryman’s work was included in Systemic Painting at the Solomon R. Guggenheim Museum, New York, along with twenty-eight other artists, including Ellsworth Kelly, Jackson Pollock, and Frank Stella. The artist’s first solo exhibition took place at the Paul Bianchini Gallery, New York, in 1967. Two years later, Ryman was included in When Attitudes Become Form, a seminal exhibition of works by Minimalist and Conceptual artists organized by the Kunsthalle Bern. Throughout his career, Ryman has isolated the most basic components of painting and experimented with their variations.

In 1972 the Solomon R. Guggenheim Museum exhibited thirty-eight of Ryman’s works from 1965 to 1972, in the artist’s first solo exhibition in a New York museum. That summer, Ryman was included in Documenta 5 in Kassel. In 1973 the artist was awarded a fellowship from the John Simon Guggenheim Memorial Foundation, and the next year he had a retrospective exhibition at the Stedelijk Museum, Amsterdam. Additional retrospective exhibitions were organized by the Whitechapel Art Gallery in London in 1977 and by InK, Halle für Internationale Neue Kunst, Zurich, in 1980, the latter of which travelled throughout Europe. A permanent exhibition of Ryman’s work was installed at the Hallen für Neue Kunst in Schaffhausen in 1983. In 1991 his works from 1958 to 1981 were exhibited at Espace d’Art Contemporain, Paris. In 1993 and 1994 an exhibition of Ryman’s work travelled to the Tate Gallery, London; the Museo Nacional Centro de Arte Reina Sofía, Madrid; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis. In 1994 Ryman was elected a member of the American Academy of Arts and Letters in New York, and assumed the role of the organization’s Vice President in 2003. He lives in New York.

1958 To Gertrude Mellon

1958 Untitled

1958 Untitled

1959 Untitled

1959 Untitled

1961 Study

1961 Untitled

1961 Wedding Picture

1962 Untitled

1962 Untitled

1964 Untitled

1965 Untitled

1965 Untitled

1968 Classico 5

1976 Untitled

2002 Period

Session

2003 Untitled

2004 Series #13 (White)

2004 Series #33 (White)

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