This will be a big series of posts covering Monet’s work. To prevent boredom taking over (on the part of the reader), I may take a break or two as it goes along. I’ll be guided by the number of ‘pageviews’ the posts are getting.
|Claude Monet portrait by August Renoir 1872 oil on canvas Musée Marmottan-Monet, Paris|
Claude Oscar Monet was born in 1840 in Paris. He was the second son of Claude Adolphe Monet and Louise Justine Aubrée Monet, both of them second-generation Parisians. In 1845, his family moved to Le Havre in Normandy. His father wanted him to go into the family grocery business, but Monet wanted to become an artist.
In 1851 Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs.
|Man with a Large Nose graphite on paper 25 x 15 cm|
When Monet travelled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them Édouard Manet.
In 1861, Monet joined the First Regiment of African Light Cavalry in Algeria for a seven-year commitment, but two years later, after he had contracted typhoid fever, his aunt intervened to get him out of the army if he agreed to complete an art course at an art school. It is possible that the Dutch painter Johan Barthold Jongkind, whom Monet knew, may have prompted his aunt on this matter. Disillusioned with the traditional art taught at art schools, in 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley. Together they shared new approaches to art, painting the effects of light en plein air with broken colour and rapid brushstrokes, in what later came to be known as Impressionism.
Monet's Camille or The Woman in the Green Dress (La femme à la robe verte), painted in 1866, brought him recognition and was one of many works featuring his future wife, Camille Doncieux; she was the model for the figures in Women in the Garden of the following year, as well as for On the Bank of the Seine, Bennecourt, 1868. Camille became pregnant and gave birth to their first child, Jean in 1867.
|1866 The Woman in a Green Dress (Camille) oil on canvas 90.9 x 59.4 cm Kunsthalle, Bremen, Germany|
In 1871, he left London to live in Zaandam in the Netherlands, where he made twenty-five paintings (and the police suspected him of revolutionary activities). He also paid a first visit to nearby Amsterdam. In late 1871 he returned to France. Monet lived from December 1871 to 1878 at Argenteuil, a village on the right bank of the Seine river near Paris, and a popular Sunday-outing destination for Parisians, where he painted some of his best known works. In 1874, he briefly returned to Holland.
In 1872, he painted Impression, Sunrise (Impression, soleil levant) depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan-Monet in Paris. From the painting's title, art critic Louis Leroy coined the term "Impressionism”, which he intended as disparagement but which the Impressionists appropriated for themselves.
|1872 Impression, Sunrise oil on canvas 48 x 63 cm Musée Marmottan-Monet, Paris|
|1873 Boulevard des Capucines oil on canvas 79.4 x 59 cm Nelson-Atkins Museum of Art, Kansas City MO|
|1873 Boulevard des Capucines oil on canvas Pushkin Museum of Fine Art, Moscow|
|1879 Camille on her Deathbed oil on canvas 90 x 68 cm Musée d'Orsay, Paris|
Camille Monet had become ill with tuberculosis in 1876. Pregnant with her second child, she gave birth to Michel Monet in March 1878. In 1878 the Monets temporarily moved into the home of Ernest and Alice Hoschedé, Ernest being a wealthy department store owner and patron of the arts. Both families then shared a house in Vétheuil during the summer. After Ernest Hoschedé became bankrupt and left in 1878 for Belgium, and after the death of Camille Monet in September 1879, and while Monet continued to live in the house in Vétheuil; Alice Hoschedé helped Monet to raise his two sons, Jean and Michel, by taking them to Paris to live alongside her own six children. They were Blanche Hoschedé Monet, (she eventually married Jean Monet), Germaine, Suzanne Hoschedé, Marthe, Jean-Pierre, and Jacques. In the spring of 1880, Alice Hoschedé and all the children left Paris and re-joined Monet still living in the house in Vétheuil. In 1881, all of them moved to Poissy, which Monet hated.
In April 1883, looking out the window of the little train between Vernon and Gasny, he discovered Giverny in Normandy. They then moved to Vernon, then to a house in Giverny where he planted a large garden and where he painted for much of the rest of his life. Following the death of her estranged husband, Alice Hoschedé married Claude Monet in 1892.
|1881 Alice Hoschedé in the Garden oil on canvas 81 x 65 cm Private Collection|
|Monet's House at Giverny photo: Creative Commons Attribution|
|Monet's Studio, Giverny between 1899-1909 Archives of American Art, Smithsonian Institution|
|Monet's garden and water lily pond at Giverny photo: Andrew Horne - Creative Commons Attributution|
Between 1883 and 1908, Monet travelled to the Mediterranean, where he painted landmarks, landscapes, and seascapes, such as Bordighera. He painted an important series of paintings in Venice, Italy, and in London he painted two important series - views of the Houses of Parliament and of Charing Cross and Waterloo Bridges. His second wife, Alice, died in 1911 and his oldest son Jean, who had married Alice's daughter Blanche, Monet's particular favourite, died in 1914. After Alice died, Blanche looked after and cared for Monet. It was during this time that Monet began to develop the first signs of cataracts.
During World War I, in which his younger son Michel served and his friend and admirer Clemenceau led the French nation, Monet painted a series of weeping willow trees as homage to the French fallen soldiers. In 1923, he underwent two operations to remove his cataracts: the paintings done while the cataracts affected his vision have a general reddish tone, which is characteristic of the vision of cataract victims. It may also be that after surgery he was able to see certain ultraviolet wavelengths of light that are normally excluded by the lens of the eye; this may have had an effect on the colours he perceived. After his operations he even repainted some of these paintings, with bluer water lilies than before.
Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus only about fifty people attended the ceremony.
|Monet's grave at Giverny photo: Remy Jouan - Creative Commons Attribution|
His home, garden and water-lily pond were bequeathed by his son Michel, his only heir, to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the Fondation Claude Monet, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of Japanese woodcut prints. Biographical notes on Claude Monet adapted from Wikipedia